What’s the next Dungeons & Dragons book from WotC?

D?D

Wizards of the Coast recently revealed that they will be releasing a new book March 16, 2021 with an announcement date of next week, January 12. So what can we expect, both this spring and in the rest of 2021? I don’t have any connections at WotC, nor am I a Divination School wizard, but let’s do a little Legend Lore and see what we can determine.

A new book will come in one of the following categories: rules supplement, monster supplement, campaign guide, large adventure, or themed adventure collection.

We just got a new rules supplement with Tasha’s Cauldron of Everything, so fresh that the community is still passionately debating the new race rules, so we can safely rule that one out. So say we all. (Although I really want the next one to be called Bigby’s Handbook of Everything. If they don’t I will. Can you grasp why?)

Monster Supplement? That’s coming soon since we haven’t had one since Mordenkainen’s Tome of Foes in 2018, but I predict not yet. We just saw the Unearthed Arcana test material for dragon-based subclasses, including the Way of the Ascendant Dragon Monk and Drakewarden Ranger. This looks like they’re working on a new Draconomicon, but it’s too soon after the UA release, not to mention that we’ve only seen UA for 2 classes, and we don’t have an Ancient Dragon Warlock yet, much less a draconic barbarian, so stay tuned for more draconic classes and a 5e version of the Draconomicon this fall, probably November according to tradition.

(It was this awareness that caused me to second-guess continuing work on the Draconic Omnibus series we’re developing here, but after looking at previous Draconomicon editions and the UA subclasses, I realized that my plan would nicely supplement what we can probably expect from WotC for those who want more dragon flavor in their game, plus our subclasses are different for each dragon type, treating each color more individually.)

That brings us to campaign guides, large adventures, and adventure collections, and here’s where the future gets muddier. Like 2019, 2020 saw two campaign guides, Explorer’s Guide to Wildemount and Mythic Odysseys of Theros. Especially since Tasha lifted the blue veil and made several references to Spelljammer and other planes, an emphasis on more Prime Material Plane campaign settings gives us a hint that another campaign book may be coming soon, but if so, which world?

They have multiple options from Magic: The Gathering, and Ravnica and Theros have been well-received, so that’s a possibility, but they also said last year that they intend to revisit classic settings, so since they’re looking for a chance to redeem themselves for the depictions of the Vistani in Curse of Strahd (The recent “Revamped” version only made minor changes.), a Ravenloft setting book would be a long-awaited and coveted addition, and the recent College of Spirits Bard and The Undead Warlock Patron UA would point to that likelihood. At the same time, a collection of Ravenloft adventures (like Tales from the Yawning Portal) would be possible without a full campaign book and allow for the Vistani revisions.

That said, the recent Dragonlance lawsuit drama could be a hint that they’re working on the Dragonlance setting, which would definitely require a new campaign guide and could be the reason for the aforementioned dragon subclasses, but again, it’s too soon, so that could be the traditional fall release. (Would a Dragonlance book mean no Draconomicon?)

It seems a bit early for an adventure release so soon after Icewind Dale: Rime of the Frostmaiden, but I know WotC is eager to clean up their image, so a TftYP-style adventure collection would help cover that gaping wound, but it would be easier to clean that up with a campaign guide.

So here’s my predictions:

  • March 2021: Ravenloft Campaign Guide
  • June 2021: Dragonlance Campaign Guide
  • November 2021: Draconomicon

What are you expecting?




Concerned about Fantasy Role-Playing Games?

The Honest truth about Dungeons and Dragons

Much ink and way too much sweat has been shed over the question of negative influences of fantasy role-playing games (FRPGs) like Dungeons and Dragons (D&D) and Advanced Dungeons & Dragons (AD&D). Much of this is due to miscommunication, distributed half-truths, and exceptions perceived as rules.

I would like to clear the air on some of these misunderstandings.

Since it’s impossible to separate a text from its author, some qualifications may be in order. I’ve been playing FRPGs since 1983 when I played with some fellow Boy Scouts. When confronted with the allegedly negative aspects, as a Christian, I was concerned, so I read everything I could get my hands on regarding the subject, both pro and con. I have a B.A. in Psychology and Theatre and a M.Div. I’m an ordained Pastor (LCMS).

Aren’t FRPGs Pagan?

Not necessarily. It depends on who’s playing the game. D&D and AD&D were designed around medieval miniature strategy war-games, Greco-Roman mythology, medieval legends (like King Arthur), and the writings of J.R.R. Tolkien (an outspoken Christian writer). The idea was to get a group of people together to write a story in their minds. The group is led by a Dungeon Master (DM) who serves as narrator, setting the scene, supplying the plot, and portraying the supporting cast. The main characters are portrayed by the players, like a puppet show with no script. As the DM presents the story, each player informs the DM of his character’s actions.

Polytheism

Now, because of the historical background of the setting, you will find an element of polytheism in the game. However, even those playing clerics (priests) of these gods are not actually worshipping these gods. His character does, but not with any detail. Generally, the sum of the “worship” goes something like, “My character goes off and prays for three hours,” and that’s about it. The gods are not thought to be real any more than the character who worships it.

Sorcery

Also, some have expressed concern over sorcery present in the game. Players have the option of choosing characters who are wizards like Merlin or Gandalf. Please note that, when a wizard character casts a spell, the player utters no incantation. Characters cast spells; players do not. When a player wants his character to cast a spell, he merely states, “My character is going to cast a (fireball, light, etc.) spell.” No actual ritual is described nor performed.

Yeah, but what about the immorality associated with FRPGs?

The three big concerns in this area about FRPGs are suicide, violence, and immersion.

Suicide

First, several suicides have been attributed to FRPGs. It usually goes along the line of, “My son’s character was killed, so he killed himself.”

First of all, the suicide rate among gamers is significantly lower among gamers (in the USA; I haven’t checked elsewhere) than the national average. Nearly every gamer who commits suicide makes the news, and the game is blamed, yet these stories are rare compared with the frequency of teen suicide in our nation. FRPGs become a scapegoat because no one wants to admit that their dead child was psychologically unbalanced. When children are playing FRPG’s like “Cowboys and Indians,” a much more violent, more involved game (they actually act it out), they don’t commit suicide when their friends shoot them with plastic guns. I won’t go so far as to say that FRPGs prevent suicide, because creative people (like those who play FRPGs) are less prone toward suicide. (Creativity, p. 247)

Violence

FRPGs often have a lot of violence described within the game. This argument is valid, yet it raises the question of perceived violence. While violence is the result of sin, it is not itself sinful. The Bible is one of the most violent collections ever assembled, yet the violence in the Bible has a point, as does the violence in FRPGs. (eg. A party of adventurers goes to kill a dragon to protect a city.) The violence in FRPGs is neither worse than nor more real than that in movies like Star Wars. Note the irony that some people who are against FRPGs have no problems with hunting or watching the evening news.

Immersion

Finally, immersion is a catchall category relating to people who become addicted to or consumed with the game. From my perspective, which in this case is the Lord’s perspective, our priorities must be God first, family second, and everything else after that. As with any enjoyable activity, people can become addicted to gaming. The same can be true of web surfing, fishing, eating, or sex, none of which are inherently evil or addictive. Of the documented cases of those who lose their identities and can’t separate reality from the game, the loose contact with reality was generally present apart from the game. These same people should stay away from books, movies, and plays, too.

Advantages

Now, all that aside, I have observed several advantages of FRPGs.

Creativity

First, the sheer volume of imagination exercised by those playing these games is unsurpassed among popular pastimes, and the more one excercises his creativity, the more he’ll have, much like a muscle.

Teamwork

FRPGs also encourage teamwork. Few characters could slay a dragon by themselves. They work together, carefully planning their strategies based on each one’s abilities. In the church, we call this the Body of Christ. In business, the same concept applies. FRPGs exercise this kind of thinking.

Academics

History

FRPGs also aid in several areas of academics. I never had a course in world history in high school (long story involving transfers), yet I know more about it than most of my peers in college because of my interest in history for the sake of helping me play FRPGs.

Literature

Also, I’m a slow reader, thus I don’t usually read much, but my interest in FRPGs incited me to read a great deal of literature, including the Iliad & Odyssey, a ton of mythology, related encyclopedia articles and other documents, Tolkien, C.S. Lewis, Lloyd Alexander, and innumerable other works, not to mention all the history and political science resources.

Writing

Creative writing and grammar are important to those writing articles and modules (story outlines) for distribution. FRPGs have already been cited as being a source of creativity.

Math

Depending on the game, some require a great deal of math work. This can run from adding the results of a handful of dice to complicated character creation processes (cf. Harn) to abstract three-dimensional mapping in many science fiction games (cf. Space Opera).

Art

While fantasy artwork is sometimes risqué, this is true of nearly all genres of art. That aside, many FRPG players, myself included, are motivated to learn art techniques for the game, whether to draw their characters or to draw the castles, monsters, heraldry, etc. In any gaming group, you’ll nearly always find at least one artist.

Language

Show me a gamer with a limited vocabulary, and I’ll show you someone who hasn’t played for long. When I started playing, I constantly found myself in a dictionary, looking up words like, “charisma,” “halberd,” and “somatic.”

Morality

Finally, the question of morality and the values conveyed by the game needs addressing. FRPGs, including AD&D, are neutral. Being commercial games, they encourage neither good nor evil. That said, the rules are centered around the assumption that the characters will be non-evil. The movement of the game is directed greatly by the DM, but players are free to make their own choices. Also, studies have shown that it is generally easier to advance a person’s moral judgment to a higher stage than to a lowered one through role-playing. Of note are:

Rest, J.R. (1979) Development in judging moral issues. Minneapolis: University of Minnesota Press.

Ibid. (1983) “Morality.” In J. Flavell & E. Markman (eds.) Handbook of Child Psychology: vol. 3. Cognitive Development. NY: Wiley.

Turiel, E. (1966) “An experimental test of the sequentiality of development stages in the child’s moral judgments.” Journal of Personality and Social Psychology, 3, 611-618.

According to these studies, FRPGs can actually be used to raise, but not lower, the participants’ morality.

Conclusion

Are you still concerned or have questions? My best advice is to observe, or even better, play in a game or two, just to get a feel for how it’s done. Most universities have gaming groups who would be happy to help you. Discuss your concerns with the players, and be specific. Beyond that, you can contact me.

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